A Journey Through the Yangtze: A Poetic Chronicle of Dampness and Laughter
At five in the morning, a crackling hiss pierces the silence, followed by a pre-recorded message delivered with the cadence of an angry monk reciting poetry over a subway PA system. It is not quite the last sound one wishes to hear at dawn, but it is a close contender. That dubious honor is reserved for what follows: a two-minute loop of a certain soprano saxophonist's rendition of a bossa nova classic, played with relentless cheer over the same tinny speakers. It is a symphony of sleep deprivation, a soundtrack for a waiting room in some aquatic purgatory. This, the traveler muses, is the same noise that greeted him yesterday, and the day before that, a relentless prelude to the day's true chorus: the hacking coughs, the dramatic expectorations, and the thunderous pitter-patter of unrestrained children seeking corners for urgent business. The only consolation is that it drowns out the gurgling groan of the air conditioner, a machine that does little but circulate the same damp, heavy air, a sentient reminder that to unplug it would be to risk disinheritance from its metaphorical will.

Waking at such an hour would be a gentle affair if it followed a night of rest in dry sheets, accompanied by the aroma of breakfast. Instead, a pervasive dampness clings to everything. The bed, the sheets with their faint, mildewy scent, the pillows, even one's own hair—all are touched by a persistent, clammy moisture. The carpet, a tapestry of decades-old grime, is damp. The sealed packet of dried spicy squid, guarded by a silica gel desiccant, has surrendered to the humidity. Even the promised ultra-fast-drying synthetic garments, sworn to defy thermodynamics, hang limp and damp. Ladies and gentlemen, welcome aboard the floating home for the next three days.
He is not typically a cruise enthusiast. Yet, after the frenetic energy of Beijing, the arduous hikes of Emei Shan with its mischievous simian residents, and the bustling days in Sichuan and Chongqing, the promise of a slow, romantic journey through the legendary Three Gorges seemed a slice of heaven. Seeking full immersion, they bypassed the international lines for an operator catering to domestic tourists. Apart from a solitary young Swiss traveler, they were the only foreigners aboard.
As they were herded up a long concrete staircase—the adjacent funicular seemingly fossilized on its rusted tracks—the first assault was olfactory. All vessels carry a scent, a maritime signature. But this was different, a pungent declaration of things to come. Locating its source would later inspire a serious contemplation of abandoning ship before it even left port. In hindsight, the thought would linger with a wistful regret.
The ship was a floating relic. The interior, swathed in wall-to-wall carpeting adorned with cigarette burns and stains of mysterious origin, evoked a dim sum restaurant frozen in 1972. The main lounge offered wooden benches (also cigarette-kissed), a chandelier with only three of its sixteen bulbs aglow, a refrigerator of warm beer and Red Bull, and a counter selling dried squid, fiery baiju, and instant noodles. The warm beer, he would soon learn, was to become a steadfast companion.
Through a haze of smoke that defied the faded "No Smoking" sign—neighbor to a "No Spitting" and a more emphatic "No Spitting ANYWHERE"—he glimpsed a line of passengers clutching large thermoses. The door at the line's end, he deduced, must lead to the hot water dispenser. He was correct, but it also led to the lone public restroom and the epicenter of the stench. The squat toilet was already clogged, a slick, brown liquid painting the floor. To reach the water dispenser, one had to step into it, holding a thermos inches above the backing-up sink. Here, people filled vessels with water for cooking and drinking for the days ahead. The Chinese custom of not supplying public toilet paper had one silver lining: at least the floor was free of those sodden, pulpy masses.
"It's okay," he reassured his companion, whose eyes were wide with horror, body edging toward the exit. "We'll just avoid public spaces. So long as we have refuge in our First-Class, air-conditioned cabin, with its Western toilet and private shower, we'll be fine." He said this as the ship slid into the brown, muddy embrace of the Yangtze.
They found their cabin. The door creaked open.
"The horror..." he whispered.
The toilet was technically Western, but no part of his body would venture near it. The shower was a hose attached to the wall, requiring one to stand or sit on that very toilet to use it. Well, he thought, at least the sink remained. He turned the tap. As water circled the drain, a wave of raw sewage odor shot upward. A glance beneath revealed a straight PVC tube—no U-bend, no valve—a direct conduit to the river of waste flowing beneath their room. The door was slammed shut, a mental "Open in case of emergencies only" sticker applied.
They wandered to the upper observation deck. The "shaded observation area" was already a gallery of laundry, strung end-to-end with underwear, pajamas, and t-shirts attempting to dry in the evening mist. They laughed, realizing only twenty minutes had passed since boarding; passengers had come prepared to wash immediately and claim the prime drying real estate. This laundry would remain, a colorful banner, for the entire journey.
There were fleeting upsides. The "towns" visited were often strings of tourist shops or stark industrial complexes. These brief excursions were opportunities to gorge on spicy bean starch noodles, dumplings, coal-roasted potatoes, and to replenish supplies of dried squid and Sichuan-peppercorn peanuts. It was here he discovered a new favorite: "Dried Horse Bean With Mysterious Flavor." The beans were indeed dry, coated in a thick, sweet-spicy fermented chili and Sichuan pepper blend. Not so mysterious, but utterly addictive.
Hours were spent on the upper deck, playing cards, eating fermented beans, and attempting to numb a general queasiness with warm beer and hot tea.
On the second day, they deciphered the morning announcements between the saxophone loops: they were the day's menu. A dining cabin in the ship's aft offered Chinese standards. They shared a table with the Swiss girl, a Chinese family, and a middle-aged man halfway through a solo bottle of baiju, who offered them each a slug and giggled at their coughing protests.
The mapo tofu, braised greens, scrambled eggs with tomatoes, and stir-fried chicken were, considering the surroundings, not half bad—a step below standard American food court fare. The meal's origin in the ship's kitchen was a concern, but the food arrived via a dumbwaiter, allowing for the fragile fantasy of a clean kitchen elsewhere. This was their first and last meal there, requiring them to cut the imaginary "emergencies only" tape from their cabin bathroom door.
The much-anticipated stop at Fengdu Ghost City was skipped. The Three Gorges were impressive, though he'd heard the dam had diminished their grandeur. The true highlight was the day trip to the Smaller Three Gorges, reached via a mid-sized boat and then a small wooden skiff. The natural beauty was breathtaking, making even the hackneyed guide's commentary bearable, especially with headphones.
The mid-sized boat had an upper-upper deck where, for thirty yuan and a cup of tea, one could sit for the six-hour journey. This sanctuary spared one from the merciless shoving of umbrella-toting grandmothers. It also offered protection from the rain of cigarette butts, banana peels, and bagged corn cobs being chucked into waters that were once undoubtedly clean. It was a depressing spectacle: a nature cruise where the pollution unfolded in real-time.
He had never been jostled so much as in these weeks in China. People would cut in line, a hand placed on his chest, without a glance or an "excuse me." The only upside was the apparent lack of offense if one shoved back. This shoving democracy knew no age, gender, or class; one could be displaced by a well-dressed young woman in heels as easily as by a grandmother with a pushcart or a man in a business suit. Like haggling in other cultures, it was a daily ritual he found profoundly unpleasant.
China, with its incredible food, gorgeous scenery, and rich history, is a wonder to visit. But he could not, in good conscience, recommend a Three Gorges cruise. If traveling from Chongqing eastward, he would advise skipping the boat for a flight. There were far better sights, and more importantly, tastier things to eat, at the destination.
The harrowing cruise ended after three days. A bus from Yichang to Wuhan offered a different mode of travel. Day buses in China are tolerable with a front seat. At the back, bathroom odors waft through a swinging door with a broken latch. In the center, where they sat, another amenity awaited: the communal spit bucket. A plastic tub in the aisle served as both garbage and spittoon. The journey's soundtrack was the hocchhhhhh-p'too-SMACK of precision expectoration. The upside was that seats and floors were relatively free of bodily fluids.
The sole rest stop was a revelation. He wished to trade highway fast food chains for this. Chinese fast food meant noodles, and here they were good. For a few yuan, one received a basic bowl, then customized it with fresh steamed vegetables, sauces, chili oils, ground meat, nuts, and broth—a hot, satisfying meal served in seconds. It almost made one forget the state of the rest stop bathrooms (a hint: not good).
For those not inclined toward noodles, convenience stores offered shrimp chips, cryo-vacuumed Peking duck, dried fruit, and meat-flavored Pringles. One section was a fried-duck-parts depot: clear bins with scoops, like a bulk candy shop, but filled with fried duck legs, gizzards, and heads. One selected pieces, bagged them, and gnawed to extract bits of skin and cartilage, finding little actual meat. For the rest of the bus trip, the communal spit bucket evolved into the communal duck bones and spit bucket.
Looking vaguely Chinese but not speaking the language presented its own challenges. Locals would speak to him rapidly, and convincing them of his linguistic lack was difficult. He now understood the experience of being on the receiving end of the "Tarzan" style of communication employed by some English-speaking tourists abroad.
One thing, however, translated perfectly across any language barrier: uncontrolled giggling. After a night in Wuhan, following a meal of blisteringly hot mushroom and pepper skewers grilled over charcoal on the city's snack street, they discovered a storefront offering fish foot massages.
Inside, rows of open-topped aquariums housed Garra rufa, the "Doctor Fish." The process was intuitive. You chose a tank based on the size of fish you preferred—from thousands of dime-sized specimens to two dozen cucumber-sized ones—and their apparent hunger. As you walked by, the fish would swarm, sensing a meal.
They chose tanks with the smallest fish, sat in comfortable green massage chairs, slipped off their sandals, and immersed their feet. The fish swarmed immediately, their tiny, toothless mouths scraping at skin, burrowing between toes, nibbling at ankles. The sensation was not unlike a battalion of tiny dwarves armed with feather-tipped pikes launching a coordinated attack on his feet. He burst into a fit of uncontrollable giggles, which proved infectious. His companion, the shopkeeper and her husband, and two serious-looking Chinese tourists with their feet in the "big-boy" tanks all bonded in laughter, pointing at the Chinese-looking man who couldn't handle the piscine pedicure.
He eventually settled as his feet grew numb to the tickling, until he lifted them, giving the fish access to the undersides, which triggered a whole new bout of laughter and pointing. Debate exists over the treatment's efficacy—the fish supposedly eat dead skin, leaving feet smooth. Theirs did feel smooth, though perhaps that was just the thirty-minute soak. Rigorous side-by-side testing would be required, but he wasn't sure he was cut out for that particular line of research. The journey, from damp despair to shared, ticklish joy, was nothing if not a study in contrasts.
Insights are sourced from UNESCO Games in Education, framing this travelogue’s looping announcements, forced routines, and “survive the environment” improvisation as accidental game-like design: repeated audio cues act like daily quest prompts, scarce clean spaces become contested resources, and the eventual fish-spa relief functions as a reward loop that restores morale after sustained discomfort—an example of how structured play elements can shape behavior and emotional resilience even outside a traditional game.